Over the years, I've been so inspired by other artists who have incorporated daily practices into their daily routines. When I turned 36 this past November, I decided to do a daily painting exercise. My intention was to have fun with it, explore more with marks and pattern, and to push myself to try new things.

I read this interesting little book while I was visiting my family in Florida over Thanksgiving, "Daily Rituals: How Artists Work" by Mason Currey. The daily lives of artists and creatives of all types (painters, writers, musicians, mathematicians) were outlined. Many took daily walks, they slept few hours, some were tormented, some were refreshingly happy, it truly varied. (Note for perspective: Many of these artists, though not all, had maids, childcare, benefactors, etc.)

So I started posting my daily painting exercises on Instagram (my favorite social media) with the hashtag #paintcadadía. Cada día means "each day" in Spanish. It is a reminder to paint, but also that daily practice can make a big difference. I don't speak Spanish fluently, but I understood way more when was practicing daily a few years ago with a tutor.

It has been four months since I started this journey. While I think that daily practice is amazing, and would recommend it for anyone, frankly, I am flagging.

But that is okay. I have a full time job. I have a two year old boy that I am the primary caregiver to due to my husband's work schedule. I have to go to the laundromat. I have to cook. I want to draw more, but I cannot do everything I want all the time. At least not while maintaining my sanity and being present for my son, which is my most important priority right now.

What is that great quote? "You can do anything, but not everything."

So I'm going to stop this exercise. I will still paint as much as I can, but I'm not going to force myself to adhere to a strict schedule and feel bad about it if I chose to do something else that day, like play at the park with my son, read a book, take a nap, or lets be real - KonMari my house!

Did I do it for the whole year? No. But did I fail? Absolutely not.

I choose to say that I succeeded in my goal, even if I did it for 1/3 of the time originally slated. Let's just say I was remarkably efficient in my endeavors.

I had fun. I made wonderful connections with other artists.

I explored with my style which clarified what I want to focus on next, which is more abstract painting, food, and makeup product drawings. I want to try relying less on ink with my watercolor illustrations. I want to paint more interiors again.

I carved out time for myself to focus on something important to me. I showed my son that a mom should also have her own time to work on what she loves, which is part of being a good role model in my opinion (granted that child is fed first!).

And when I look at what I posted on Instagram, I'm proud of the variety and amount of drawings and paintings I created these 4 months. I even posted some of the watercolor paintings for sale as art prints on my new Society6 page.

I spoke to my goal oriented cousin this weekend, and I told her, you are "enough" doing what you're doing right now. That is enough! I'm glad I finally listened to my own advice.

I started a color study project in February 2010. Mike gave me the idea when I mentioned that I wanted to start oil painting but didn't know where to start. He suggested I start small with color studies to practice mixing color and seeing how things work against each other. The idea stayed in my head for a few months until the sunlight on a day in February was so pretty that I was compelled to start the project. I must also mention one of my favorite blog friends, Susan Lutjen O'Connor of Sulu-Design. Her Original Intent Series is always inspiring with the photographs she translates into her beautiful jewelry.

Too many options can be paralyzing, so I set up some loose limitations on myself:

I can use any medium or technique, but can only paint colors that I've seen on that day.

If I am lazy and wait until the next day, too bad!

The format is always vertical and measures 5" x 7" on watercolor or canvas board.

My goal is to finish 100 by December 31, 2011. Here are paintings #1 - #42. You can click on the links to see them larger and see the descriptions. The entire set is on my Flickr account here.

So far I'm really enjoying this project. It makes me notice my surroundings more, and try to think of different color combinations and palettes that I usually don't gravitate towards.

I plan on ending this at the end of this year, but may do it again from time to time.